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Mona shivers. Getting up from her lowly position, she draws back the curtains of her window and looks out upon the night. It is brilliant with moonlight, clear as day, full of that hallowed softness, that peaceful serenity, that belongs alone to night.,

"Yes, that is just your greatest misfortune," she says, meditatively. "Love at any price. You would die out of the sunshine, or spoil, which would be worse. You will never be quite happy, I think; and yet perhaps," with a faint sigh, "you get your own good out of your life, after all,—happiness more intense, if briefer, than we more material people can know. There, shall I tell you something? I think you have gained more love in a short time than any other person I ever knew. You have conquered me, at least; and, to tell you the truth," with a slight grimace, "I was quite determined not to like you. Now lie down, and in a minute or two I shall send Halkett to you with the rose-water.",

"Not until you tell me what made you cry.",

Then she strains the water from it, and looks with admiration upon its steaming contents. "The murphies" (as, I fear, she calls the potatoes) are done to a turn.

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"It means—the missing will," returns she, in a voice that would have done credit to a priestess of Delphi. As she delivers this oracular sentence, she points almost tragically towards the wall in question.,

To-morrow will be market-day in Bantry, to which the week's butter must go; and now the churning is over, and the result of it lies cold and rich and fresh beneath Mona's eyes. She herself is busily engaged printing little pats off a large roll of butter that rests on the slab before her; her sleeves are carefully tucked up, as on that first day when Geoffrey saw her; and in defiance of her own heart—which knows itself to be sad—she is lilting some little foolish lay, bright and shallow as the October sunshine that floods the room, lying in small silken patches on the walls and floor.,

The short daylight fades; the wind grows higher; the whole scene is curious, and very nearly fantastical. The pretty girl in her clinging satin gown, and her gleaming neck and arms, bare and soft and white, and the tiny lace-fringed cap that crowns her fairness. The gaunt trees branching overhead that are showering down upon her all their fading wealth of orange and crimson and russet-colored leaves, that serve to throw out the glories of her dress. The brown-green sward is beneath her, the river runs with noiseless mirth beside her, rushing with faint music over sand and pebble to the ocean far below. Standing before her is her lover, gazing at her with adoring eyes.,

"Yes. Where is she?" says Doatie: "that is just what we all want to know. She won't get any tea if she doesn't come presently, because Nolly is bent on finishing it. Nolly," with plaintive protest, "don't be greedy."